About Sandra Hutchison

Indie author and publisher of THE AWFUL MESS: A LOVE STORY and THE RIBS AND THIGH BONES OF DESIRE.

Updates, Kobo deal, Goodreads giveaway

Bardwell’s Folly

BardwellsFollylibreblur200x309“Bardwell’s Folly” has been read by five beta readers now, and thanks to that feedback I’m making some good revisions.  I’m hopeful this version will be done by the end of the week. Then it goes to my fussiest beta readers in the hope they will throw in some proofreading, too. Then it’s into Kindle Scout, unless I chicken out and just put it up for pre-order. I did stick a toe in the water with regular querying (if a tweet and one query count), but my heart just wasn’t in it.

The Awful Mess

This week I finalized a new (or, actually, old, re-imagined) cover for the ebook edition of “The Awful Mess” because Amazon won’t allow me to advertise with a nude-ish person on the cover. (They also refuse anything with blood, I’m told by author Julie Frayn.) Now I just have to upload the new cover and update, like, everything. (Actually, the paperback will retain its lovely and striking and not exactly prurient Damonza.com cover — and I did lean heavily for inspiration on an option he’d given me back in the day, when I’d asked for something with those rocks as well as an original option.)

Evolution of a coverOf course, having made that decision, I finally got an offer to do something interesting  just because it’s a SELF-e Select title, so I might hold off on trying it in Kindle Select until after then. I’m still going to change the cover, though. For all I know, that’s why BookBub keeps turning it down lately.

Speaking of Self-e, why Amazon considers a program that gives curated indie ebooks to libraries free as infringing on Kindle Select is beyond me. If I were them, I’d be happy to see my indie authors building a library readership, especially since SELF-e books now include buy links.

SPECIAL DEAL FOR KOBO READERS: Use code 50Jun through June 27 (midnight EST — that’s coming up fast, of course) to save half off “The Awful Mess” and many other indie titles.

And next up?

For the next book I keep stalling out on my original plan. I’m thinking of returning to Lawson, New Hampshire instead. They do say series are the way to go. I’ve had a story in mind that would offer interesting challenges to Winslow and Mary, one related to issues that sometimes arise over immigration in small town New England. And Annie Soper deserves a love story. But I’m just beginning to flesh those ideas out.

A Goodreads giveaway of “The Ribs and Thigh Bones of Desire”

While you wait for a new book, you or your reading friends might want to sign up to enter the Goodreads giveaway of an autographed paperback of “The Ribs and Thigh Bones of Desire.”

Goodreads Book Giveaway

The Ribs and Thigh Bones of Desire by Sandra Hutchison

The Ribs and Thigh Bones of Desire

by Sandra Hutchison

Giveaway ends July 09, 2016.

See the giveaway details
at Goodreads.

Enter Giveaway

Called? To what?

Is writing a vocation or just something we like to do?

By Sandra Hutchison

Religious people are used to the concept of someone being “called” to vocation — priests and ministers are supposed to be answering a call, as are deacons, monks, nuns, and so on. The call, one hopes, comes from God.

I’ve often wondered how that feels. Personally, I have never heard a divine voice literally calling out, “Hey! Sandra! Yes, you! DO THIS THING.”

Maybe some folks have. Certainly it gets reported that way in scripture. But I am always highly suspicious of anyone who claims to have received specific, detailed messages from the Almighty. My first thought is “schizophrenia,” my second thought is “con man,” and my third — say, if it’s scripture being quoted by someone — is “okay, let’s hear it, but you can assume I may question its provenance or your interpretation of it.”

On the other hand, Rumi tells us to listen to “the voice that doesn’t use words.” And I have heard that voice.

Once, during my junior year of college, in England, I was spending the holidays with cousins in Scotland. Sometime after midnight I was walking back to a party in Edinburgh where my cousins were supposed to still be after I’d gone off to the young people’s celebration of Hogmanay — New Year’s Eve under the clock of the Tron (I kissed a bobby and drank from a passing bottle of whisky and felt authentically Scottish for a moment).

As I was walking along I suddenly felt a very hard tug from somewhere to stop walking and instead pound down the sidewalk as fast as I could. Which I did. I arrived breathlessly just as my cousins were pulling away from the curb, just in time to stop them and get a ride back to their home for the night.

I’m not sure this mattered — I could have walked the rest of the way to my cousins’ house if I had to. The streets were quite safe. But it felt as if it mattered a lot. It felt as if I had been saved from something.

Was that God? A “guardian angel”? Some funky extra-sensory perception? My subconscious calculating times and probabilities better than my conscious? I have no idea. But it was a voice without words, and that’s not the only time I’ve listened to something like that (though that was probably the time that felt most consequential).

Still, my religious faith didn’t arrive until a couple of years later, after quite a lot of reading and some meditation (outside of the Christian tradition) and some physics and some church. My conversion moment essentially consisted of me saying, in meditative prayer, “Give me a sign,” and promptly getting something I interpreted as one.

However, in hindsight, I don’t feel that sign was a genuine weird mystical event. I was, at that point, completely primed to have something, anything, give me permission to go where I had already decided I wanted to go. Anything in the room would have done. A cricket chirping, a nod of my own neck, a puff of wind from the window. I don’t even remember what it actually was anymore. Because that wasn’t really the point. I chose.

And yes, everyone who is called has to choose whether to answer. But I think you can easily choose things you haven’t really been called to, also, and then tell yourself you were called to them. You can easily confabulate a desire with a calling.

For example, I often feel a little tug during the Eucharistic prayer. I want to lift my hand and sanctify that bread and wine right along with the priest, which I’m obviously not authorized to do.  But I suspect that’s a BS thing on my part, because I’m also quite sure I don’t want to do the actual hard work of becoming and being a priest. It’s the religious equivalent of those people who come up to me at book signings to tell me that they have amazing stories to tell and they would be an amazing writer if only they had the time.

It could be worse. Imagine the pedophile priest who thinks, “I answered the call. I’ve sacrificed much to serve God and His people. Now God has provided for me. This child has been called by God to serve me.”

This is why I sometimes think a calling is better thought of as something more prosaic. Something as simple as somebody else in the church saying, “So, hey, our nominating committee thinks you should run for vestry.”

(Of course, when it gets this literal the whole idea of “being called” reminds me of a story my father likes to tell of a time he and his cousin were exploring the north of England and had been instructed by my great aunt to call Cousin Joan, who lived there. They had no desire to do this, so they stopped the car next to a field and yelled, “Cousin Joan!” Later, when Auntie Nan asked them if they had called Cousin Joan, they replied that they had, but she hadn’t answered.)

Authors often talk about being called to writing as if it is a vocation. I can remember sitting in the audience at a discussion with about eight writers at The Book House one afternoon when one of them said something along the lines of, “You write because you have to. If you don’t have to, you shouldn’t even do it.” And there was much nodding.

And yes, I agree that writing can feel like a vocation, in that you are giving up your time on earth to engage both conscious and unconscious parts of yourself in calling out a truth of some kind. It can feel like being touched with the spirit. It can feel like prophecy. But it can also be delusion, or ego, or hacking away, or a combination of all of the above.

Maybe I think this because I’ve written a lot of advertising. Enjoyed it, too. There’s plenty of creativity involved. Even a kind of willing suspension of disbelief that is not entirely unlike religious faith. By the time I’m done writing about that, say, inflation-protected variable annuity, I’ve usually also convinced myself that it’s A Most Excellent Product That Everyone Needs. But obviously I was really just hacking away at that to make a living. And the charges and fees are a killer.

I’ve also read plenty of published fiction that reads to me like someone just hacking away to make a living. (The later volumes of successful series are particularly prone to that, though thankfully not every author succumbs.)

But although we’d probably all prefer to read stuff that feels absolutely incandescent with the fire of truth, to the idea that no one should bother writing unless they are literally driven to do it, I say: Oh, come on.

Yes, it’s true that damaged, depressed people may feel compelled to write to try to fill an emotional hole that can’t be filled, or to establish a connection with some idealized other they can’t find in real life, or to process some traumatizing event in their lives. And yes, it’s true these folks are often brilliant and original, at least until they tragically destroy themselves. Extreme focus and need can do that.

The rest of us mostly write because we want to. Our productivity depends on our habits, the time we have available, and how preoccupied we may be by more fundamental needs like food and housing and child care.

Sometimes I think writers suggest that it’s a kind of calling or compulsion because they don’t want any more competition than they already have.

Sometimes I think they say it because they know the rewards are so long in coming and so uncertain that they feel they are doing you a real favor by scaring you off.

And sometimes I think writers believe that if it’s a sacred vocation that means it’s okay to not get a regular job, to continue working on our art despite the poor or non-existent compensation we are likely to receive. It’s okay to expect our spouses to support us. It’s okay to demand that quiet little writer’s nook where the kids won’t bother us, or escape to  that lovely writer’s retreat in the mountains. It’s okay to sign terrible contracts. It’s okay to passively await the reading public’s verdict instead of getting out there and flogging our stuff. It’s art! We’ve been called!

Adapted from an engraving by The Brothers Dalziel in "Lalla Rookh: An Oriental Romance" by Thomas Moore. In the public domain, courtesy of http://www.oldbookillustrations.com.

Adapted from an engraving by The Brothers Dalziel in “Lalla Rookh: An Oriental Romance” by Thomas Moore. In the public domain, courtesy of http://www.oldbookillustrations.com.

Suggesting that writing is a calling, a vocation, is also convenient for readers and publishers. It’s arguably an excuse for not paying writers and artists (and the people who work most closely with them) a living wage. Sure, a few writers are wildly successful and a few more make a living at it, especially in the more workaday genres. But the great bulk of writers must have other means of support. (If you’ve ever wondered why literary fiction is so white and so dominated by the wealthy classes, there’s your answer.)

Teaching can be like this, too. I know so many adjunct professors who feel called to teach. I’m one of them. I love teaching. But if the job won’t really support us, it’s kind of crazy to keep doing it. Pathological, even. I do it because I can afford to (which is not because of my writing income, believe me). And I’m not sure this is the most moral decision I’ve ever made. By accepting the lousy terms of adjunct work, I’m arguably enabling a shamefully exploitative system.

I think we often need to clarify our thinking about being called to a vocation, any vocation. Yes, we may feel called to it. Yes, it may be satisfying some deep hunger in us. It may feel like a religious experience. It may even be a religious experience. But although Jesus expected to die on the cross, he still expected his disciples to eat. If people weren’t willing to put them up or feed them, they were to shake their sandals free of that town’s dirt and move on to a place that would.

I think what I’m trying to say is that being called to a vocation is complicated at best. It’s full of potential pitfalls. It’s worth taking the time to carefully examine and re-examine our  motives. And if we ever see it as special permission to behave badly, then maybe it’s less a calling than a rationalization.

If you write, do you feel called to it? Do you see it as a vocation? I’d love to hear your thoughts about it.

If you #write, do you feel called to it? Do you see it as a vocation? Click To Tweet

Technical difficulties … please stand by.

In case you’re trying to access my site and having trouble with any of it, I’m attempting a change of host providers and of course things are going terribly wrong. Hopefully it will stabilize and I can go in and do repairs before too long.

UPDATE: Well, it’s working again and much faster, but at the expense of a lot of things that used to work and now don’t. My new host provider seems much more disapproving of my use of “resources.” I would even go so far as to say they seem rather miserly.

So, again, things like my contact form and so forth are works in progress at the moment.

When it comes to fiddling around behind the scenes of a web site, I believe I have now officially risen to the level of my incompetence!

 

Awesome Indies founder Tahlia Newland on challenges and opportunities for indie authors

Tahlia Newland

Author Tahlia Newland

I first met Tahlia Newland months after I had submitted my first novel to Awesome Indies. This organization seeks to curate the best indie works — not just for quality of writing, but for editing and production values, too. I remember that when I first stumbled across it, I was impressed that it evaluated submissions based on a book I think is terrific — Renni Browne and Dave King’s SELF-EDITING FOR FICTION WRITERS. It also demanded literary qualifications from reviewers. Perhaps best of all, it offered ways to submit that didn’t require payment — so it clearly wasn’t just another sketchy prize mill. Eventually, I became a volunteer myself. But I never really asked Tahlia how Awesome Indies got its start. So…

Tahlia, what prompted you to begin Awesome Indies?

ai_square-300x300When I first got an e-reader back in 2009 or so, I discovered cheap books and read them voraciously. They were all self-published, of course, and I soon discovered that even books with high star ratings on review sites like Amazon and Goodreads could be really badly written, even some that were selling thousands of copies.

Though I picked up many terrible books, I also discovered some real gems, and I really wanted to tell the world about these great books where self-publishing authors had beaten the odds and produced something excellent. I began writing reviews so I could tell readers which self-published books were well enough done that readers could be sure they were getting a good product.

Next I came up with the idea of listing them all on one website so interested readers could have a one-stop quality shop for indie books. I created that first Awesome Indies site on a WordPress.com free blog, and it grew from there. At the point I decided I needed to create a submission system and get some helpers, I made the decision that if a group of people were to set themselves up as determiners of quality, then they had better be people with the kind of qualifications that no one could argue with, so it had to be people with formal qualifications in writing, English literature, or editing.

What would you say are the greatest challenges and opportunities facing
Awesome Indies? What would your dream be?

The biggest challenges are getting the website’s existence and value widely known, finding sufficient assessors and volunteers to keep it running smoothly, and dealing with author egos, in particular those who refuse to accept our assessors’ opinions as valid and like to spread their opinions on the matter.

My dream for the Awesome Indies is that it becomes the first place readers go to find indie books, that in people’s minds Awesome Indies Approval equals the kudos of getting a mainstream deal, that it changes the perception of the world as regards to the quality of indie books (as least as far as books listed on the site goes), and that it becomes really popular with the kind of people who usually would only read mainstream books.

 How can readers and writers who value quality indie work support Awesome Indies?

By submitting their book with an administration fee, or by volunteering to help. We have a very good admin team at the moment, but I am always short of qualified assessors and people willing to help spread the word about our existence. What we need more than anything is people who can write blog posts about the Awesome Indies and get them published on influential blogs and newspapers. (I should note that I am a volunteer for Awesome Indies myself — primarily by writing occasional web copy and notification emails to authors.)

As an indie author yourself, what are some of the greatest challenges and opportunities you see facing such authors today?

The biggest challenge is selling your book. A good book does not equal a best-selling book (and vice versa), and great authors are often not natural salespeople. The very nature of indie books is that many of them are so not mainstream that they only have a small niche market — at least at present. Finding the readers for unusual books is not easy, and selling few books can be soul-destroying for authors of truly great works with enormous literary merit. But so long as a book has some kind of independent professional assessment like Awesome Indies Approval, then the author can at least know that the problem is not with the book. Without that, the indie author can never be sure.

The biggest challenge is selling your book - Tahlia Newland. #amwriting #indie Click To Tweet

The greatest opportunity indie authors have is that we can publish what we want, when and how we want. There is nothing to stop our creativity going in whatever direction we want it to — so long as we aren’t concerned about making a living. But with that freedom comes a great responsibility: to do it in a professional way. If the majority of us can do that, then eventually the stigma attached to indie publishing will fade.

Tell us about your new release, THE LOCKSMITH’S SECRET, including what inspired it.

THE LOCKSMITH’S SECRET is a multi-narrative-strand novel about a woman who finds that her boyfriend is not who she thought he was, and she finds herself having to choose between him and her beloved property in the Australian rain forest — a situation that challenges her ability to live up to her Buddhist ideals. The story looks at sexual abuse, women’s rights, and the various aspects of a person that make up their sense of self, including dreams, memories, past lives, creative expression and metaphysical experiences. The themes are explored from these different angles, one of which is a steampunk murder mystery that the protagonist Ella, an author, is writing.

What inspired it? My stories just appear vividly in my mind, playing out like movies. I can’t pinpoint any particular inspiration, though the image of a locksmith creating keys for inter-dimensional doors in an otherwise deserted ethereal city of transparent buildings floating in space was the image that drove me to fill in the story around it.

01The_Locksmiths_SecretwebAbout THE LOCKSMITH’S SECRET

Ella’s locksmith boyfriend Jamie seems to be her perfect match, at least until a death in the family calls him back to England. While he’s gone, Ella discovers he’s hiding something so astounding that it completely changes her perception of him and his place in her world.

While Jamie struggles with family responsibilities, Ella’s steampunk murder mystery develops a life of its own, raising disturbing memories of her time as a striptease artist and a past life as a sexually abused Italian nun. She also dreams of an ephemeral city, where she seeks to unravel the locksmith’s secret and find the key that opens a door to other realities.

All these, together with a lost brother, a desperate mother, a demanding cat, and a struggle to live up to Buddhist ideals, weave together in a rich tapestry that creates an extraordinary work of magical realism.

Intrigued? Learn more about THE LOCKSMITH’S SECRET at:

kindle store    smashwords     kobo     barnes & noble     apple

Our father? Our mother? Words matter

I was thinking about how much words matter this last weekend during my first vestry retreat. (Vestry, for those unfamiliar with the term, is the group of parishioners elected to attend to the business of the church.) We were given two lectures about prayer by an articulate Catholic fellow, Paul Delio. It was interesting and insightful and yet as the time passed I began to feel a bit oppressed.

I especially felt this way during his discussion of the Lord’s prayer and the beginning of it: “Our Father,” which Paul pointed out was originally “papa,” really — what a child calls  his daddy.

I was sitting there thinking that obviously Jesus was a product of his time, even if he kept pushing the boundaries of it. And the men who codified what became accepted as holy scripture were also men of their time. So of course it was father or papa or abba that made sense for that prayer at that time.

But it matters, this “father,” when it is always, always “father” and never, ever “mother.” Especially in my parish church, which makes no attempt at a more inclusive liturgy. All year long, for example, we give “Him” thanks and praise, instead of the gender-neutral “God” that is pretty customary in most Episcopal churches I’ve attended.

“I don’t think of God as masculine,” I told our group in the discussion that followed, when Paul assigned us to talk about ways we would revise the prayer for our own understanding (which, to be fair to Paul, is the opposite of oppressive). I told my group I considered the language patriarchal. Why couldn’t it be “Our Father/Mother?”

My priest didn’t have any issue with the idea of God not being masculine. That was, he told me, quite well-accepted doctrine. He did have issues with “Father/Mother,” which we didn’t get into. (I wouldn’t be surprised if he objected at least partly because it’s such an ungainly phrase, and in this case at least further from the original source.)

Still, though. Accepted doctrine? Then why IS it always “Father”?

Maybe it wouldn’t even occur to me to get disgruntled about all this if I hadn’t once had the joy of attending a church led by a gifted female priest who went right ahead and changed the prayers to correct for gender bias. The Rev. Lucinda Laird would alternate Her and Him, He and She, God the Father and God the Mother. The God of Abraham, Isaac, and Jacob was also the God of Sarah, Rebecca, and Rachel. The first time I heard it I was shocked. She could do that?

She could. (It no doubt helped that this was in the Diocese of Newark.) And I grew to love it. I loved that the girls in our church were growing up hearing that every Sunday as an ordinary expression of our worship. They didn’t need to feel that extra little distance between God and them that boys never heard. They saw a strong, confident, gifted woman leading a thriving congregation in thanks and praise.

I miss that. (Not that I don’t consider my current priest quite gifted, or my current congregation thriving.) And I’m not ready to get militant about it, and in any Episcopal church it’s really the responsibility of the priest and bishop in any case. (“Episcopal” literally means “governed by bishops.”)

But I offer it as a matter of thought, to consider how the language we hear in church might be excluding or distancing a good half (or more than half, in many cases) of the congregation hearing it.

And I feel I should point out that there are indeed more inclusive ‘official’ liturgies available through the Episcopal Church, including Enriching Our Worship, here. It’s a fascinating read for those who are interested in such things.

Even one of the bathrooms seemed rather spiritual at this retreat.

Even one of the bathrooms seemed rather spiritual at this retreat.

I’m also aware that I sound more than a lot like slightly annoying lesbian Carla in “The Awful Mess,” giving the poor interim priest a hard time about patriarchal structures as they walk through her kid’s upcoming baptismal service.

But as my main character Mary notices, at least Carla is engaged.

And that’s what I’m aiming to be.

——–

Speaking of being engaged, thought I would let you know I’m fast closing in on the end of a first draft for “Bardwell’s Folly” — which is a good thing because I’m at nearly 100,000 words now and in my genre it’s usually not a good idea to get much longer than that! Next comes revising and then starting the fourth novel while I wait for word back from my beta readers. Huzzah!

 

Happy Valentine’s Day, readers

For someone who doesn’t have a honey at the moment — this includes me — this holiday can be just a little demoralizing. But I do have some young folks doing a complicated dance of love in my work in progress, so it’s not as if I’m not immersed in romance in my own way. And that has its own pleasures.

Which brings me to this public service announcement. Hope you have a lovely day!

Reading a good book is like giving yourself flowers

A Lenten practice for writers?

The sermon at church this week has had me wondering what I could choose to give up or take on for Lent. Which further made me wonder about what would be especially applicable to me to do as a writer.
I don’t think I am unique among writers in experiencing my life as a constant tug of war between creative energy and laziness, ego and embarrassment, reverence and irreverence.
Given that, I am wondering what temporary practice would be most useful for my writer soul? (Especially if, as our priest suggested, Lenten sacrifices or practices are designed less for self-improvement than for self-knowledge?)
So, I tried to come up with some ideas.
Stuff I could give up…
  • Some of the excessive time I spend on social media and digital distractions in general. The Freedom App looks very intriguing for that.
  • Checking sales reports or author rank. Surely once a week should be sufficient. But tell that to my fingers. They sometimes click on the KDP Report when I’m not even trying to go there.
  • Checking for reviews. This is especially pointless this far between books.
  • TV news. I get two newspapers and the Internet. I certainly don’t need as much TV news as I habitually watch (local news plus two national broadcasts each night, plus the Daily Show from the night before).
  • Eating while working. This is how my plans for a full healthy meal so often degenerate into little bits of this and that. Maybe I could find a way to play National Public Radio while cooking and address these last two bullet items at once.
 Stuff I could take on…
  • Daily exercise. I’m actually already working on that (and my daily word counts along with many fine writers in the Women Fiction Writer’s Association), so maybe it wouldn’t count for Lent.
  • More disciplined reading of fiction and professional books. I am drowning in excellent books I have not read, or have started and not finished. Less TV or social media would allow more time for that.

    This is just the pile under my bedside table. Let's not even mention the Kindle.

    This is just the pile under my bedside table. Let’s not even mention the Kindle.

  • Meditation on a more regular basis. Maybe. I am skeptical. I honestly suspect I get the same benefits during long walks, gardening, photography, and sitting around with a cat on my lap.
  • Not putting off all my business accounting until the last minute. Yeah, let’s not even pretend I’m going to do that.
  • More visiting with actual live human beings in the same room as me. Eh. I might just focus on one neighbor who needs this and not worry about my overall sociability. I am an introvert, after all.
  • Prayer. Bwa ha ha ha. The weakest link in my spiritual life by far. I have almost zero faith in prayer. But maybe, since that is my reaction, I should give it a try. A short prayer ideal for writers sitting down to draft? Hmm.
What about you, writers or non-writers? Do you have Lenten plans?
— Sandra Hutchison

The “Sunshine State” is not always sunny

Florida is not all Disney World and beaches. It’s not all tropical, either. It can get cold — and even freeze — in a good part of the state. And it’s bigger than you realize. I re-learned that old lesson again during a visit to my parents this January, when I decided I wanted to take a field trip to abandoned Ellaville as well as the Haile Homestead, a former plantation.

That was a very long drive from my parents’ home in Citrus County on a chilly winter’s day. Mom and I really needed our polyester fleece and jackets.

I wanted to see Ellaville, because I needed a Florida locale within fairly easy reach of Georgia, as well as a river in which someone could drown. And if it could be the Suwannee River, all the better. When we were kids my family always sang our state song when we crossed the Suwannee during our long-distance travels. Ironically, I hadn’t realized that this was actually a minstrel song until I looked it up for this post — the lyrics I grew up with didn’t speak of plantations and didn’t use an offensive pseudo-black dialect. Blackface and minstrel shows are going to play a small but key role in “Bardwell’s Folly.”

Ellaville was better for my purposes than I could have dreamed. The highway bridge I saw on Google is nothing special, but there’s a parking area close to it for abandoned Ellaville … complete with an abandoned bridge that’s much better for throwing someone off of than the highway bridge. My mother and I were both pretty spooked by how isolated it was. Mom wasn’t thrilled that I insisted on getting out of the car.

(If a photo interests you, click on it for a larger image.)

It took a long time to drive up there, longer than I had imagined (stopping to eat lunch didn’t help). We ran out of time to go any further along Florida 90 if we still wanted to see any of the Haile Homestead in Gainesville before it closed. So we turned back, and just managed to get to that old “Kanapaha Plantation” site in time for a quick tour before it closed (it’s only open on the weekends).

The Haile Homestead may look fairly modest from the outside — it’s no Tara — but inside it has tremendously high ceilings and gigantic rooms with lots of glass windows. In other words, the Hailes had money, at least until the cotton crop failed a couple of years in a row. They also owned over 60 “enslaved laborers,” as the guides and literature insist on putting it. I’m sure there’s a reason for this terminology, but I can’t find it. I should have asked.

The family never painted or wallpapered. They DID write all over the walls, no doubt a lot more in the later years when it became a bit of a party hang-out for later generations. Thus, the house is referred to as having “talking walls.” It’s an interesting place to visit, and I’d like to have more time (and less chilly weather — it’s not heated) the next time I go.

Now, none of this was strictly necessary. I don’t have to hew too religiously to actual geography — fiction is fiction, and I make up my place names and any details I need. And I could, if I were patient enough, virtually click my way up and down state highways using Google Maps. But I wanted to get a better feel for the area and how my characters might perceive it.

Cover concept for BARDWELL'S FOLLY

Cover concept for BARDWELL’S FOLLY

As many of you know, I gave myself an unpaid sabbatical from teaching this spring, and used the time to finish my first draft of “Bardwell’s Folly: A Love Story” (cover concept at left). This is a temporary version of “going pro” that I can’t recommend to anybody who doesn’t have other sources of income, but I’m enjoying it.

If you’re a writer and you travel to do any of your research, I’d love to hear your own experiences, and whether you find you use a lot of it when you actually sit down to write.

#Florida is not all Disney World and beaches. Check out spooky Ellaville! Click To Tweet

Tim Farrington reviews “The Awful Mess” … and I freak out

Cover for The Awful Mess: A Love StoryI recently received an email with a lovely review of “The Awful Mess” from one of my favorite authors, Tim Farrington, who wrote the “The Monk Downstairs” — a book I love so much that I’ve gifted and loaned it repeatedly and put it on my short list of books I recommend to anyone.

And I’ve just been holding onto this review and reading it now and then — hoarding it, really. Not only because it is from Tim, taking my novel seriously, but also because he compares my writing to the work of my favorite author of all time, Jane Austen.

(Insert happy girly scream here.)

See, I was just really hoping he’d like it. I was really hoping for a nice blurb I could use to sell the book. Instead, I got more validation than I’d ever dreamed of. I feel as if I’ve had hands laid on me and I’ve been welcomed into the abbey.

But that’s also a little freaky. As a self-published author, I expected to skulk around the outside of the abbey completely unnoticed for years. Part of me is not sure I really want to take the work that seriously. Except that, of course, I do, or I wouldn’t have published it in the first place.

So I feel incredibly grateful and blessed to have received this gift. This validation.

I’m still strangely reluctant to share it, though, even as I work on this blog post. I shared it with my parents before I drafted this, just to try to loosen up. (Dad congratulated me and told me it made a nice distraction to read it on his iPad during the painful work being done on his ingrown toenails. Thanks for grounding me, Dad.)

Is this because of the whole women-shouldn’t-brag thing? A little fear of genuine sheer hubris? Or am I afraid that this will somehow happen to it:

But taking the work seriously means I have to try to sell these books rather than just write them, the idea being to get people to actually read them, so… here is Tim’s review:

I finished “The Awful Mess” with that wonderful/melancholy sense you get finishing a good book, of a kind joy mixed with sadness that it was over. It is such a lovely novel, in the classic way, with interesting, exquisitely human characters deftly drawn and fascinating in all their particularity, and a story that keeps the pages turning. Despite the comic recurrent note from the characters, that “This isn’t The Scarlet Letter, after all!” this is in fact a book in lovely dialogue with Hawthorne’s story, a New England story of a fiercely independent heroine struggling for a life worthy of aspirations, and her entwinement, in a small town, with a minister of the Lord, among others; and so a story of conscience, passion, and hypocrisy, of souls tested not only the fire of moral truths but in the glaring but often unilluminating light of a tiny community’s gossip, prejudices, and presumptions.

Mary Bellamy is wonderfully contemporary, and utterly sympathetic character, and her growth in both knowledge and self-knowledge throughout the book gives us some of the novel’s most satisfying substance. As a self-described “heathen” with a sharp mind, a good heart, and a wicked sense of humor, she also acts as a sort of acid test for the varieties of faith she encounters, and when she falls by the wayside to a violent catastrophe, it is through her eyes that we see the parable of the Good Samaritan enacted in fresh contemporary garb, with vivid and specific contemporary characters. And Mary herself, through her struggles, comes to see the real difference between the sheep and the goats: there is bathwater aplenty in this unsparing look at human piety and human self-delusion, but there is a baby as well, and a lovely awareness of that real heart of humanity is one of the many things that make the novel so completely satisfying.

It puts me in mind of Jane Austen, the moral mathematics here, that almost algebraic Austenesque precision in the characters ultimately reaping what they sow, and paying to the last farthing, is so strong and rings so exquisitely true in every case.

It’s wonderful, in short! It renews me as a reader, to enjoy a book so much; and as a writer, see it done so well.

What more could a writer ask for, right? A glowing review of “The Ribs and Thigh Bones of Desire”? (He did that too!!!) Maybe this is all just more writing-happiness than I can handle in short order. But it’s also wonderful.

Today I’m off to Florida. I hope to check out a locale or two from the next book as well as see Mom and Dad and his toes. I’ll probably be back in two weeks to share my thoughts about that — well, not the toes. I don’t write horror.

Another year of blogging and trying to figure this stuff out

I fell off my once-a-week publication schedule after the last post, for a number of reasons:

  1. My Bluehost web site began to experience horrific downtime, which made it seem rather pointless not to mention tricky to add content to it. It has settled down now, but I’m not too confident that this will last. (And I put dealing with web host providers right up there with waiting on hold with insurance companies as a way I’d choose to spend my limited time on this planet.)
  2. Some nasty bug got me. Presumably not the flu, since I got the flu shot this year, but it might as well have been. This coincided with the end of my semester, trying to wrap up four comp courses. As an adjunct professor I could only miss one day of class without having to write a check to reimburse the college, even after five years of not missing a single day. (I’m not betraying any rage here, right?) I could barely drag myself out of bed, but I got to class. Oh, and there was an emergency root canal in there, too. So the blog was the least of my worries.
  3. A lovely interview with Hazel Dawkins on Greenfield (MA) local cable station GCTV came online in December. You may find this surprising since I obviously have this blog and a social media presence in various places, but I suffer from an occasionally crippling horror of self-promotion and that hit in a big way. Or maybe I was just horrified at how dowdy and middle-aged I look. It’s a great interview that I really enjoyed, but it’s also a full half hour long.

    (If you’re a Franklin County reader, you may also be interested in my appearance at World Eye Bookshop in Greenfield Saturday, January 23 from 1:30-3.)
  4. Although I did improve my web site traffic significantly this year, I have been unable to establish any significant connection between that and any book sales. No doubt a lot of that can be related to my lack of brilliance at SEO, Google Analytics, email sign-ups, newsletters, and so on. But while I’m still game to learn that stuff, the most important thing I can do for my writing career right now is to finish the next novel. So I’m going to pull back on the blog to no more than once or twice a month until I’ve got a rough draft finished.

bardwellsfollyfallmasonic200Sometimes I start playing with covers just to help psyche myself into believing the book really does have a deadline looming (since I run Sheer Hubris Press, I have only self-imposed deadlines). So I came up with this new thumbnail for Bardwell’s Folly a while back. Like the manuscript, it’s still a work in progress.

Finishing this book is my most significant resolution for the new year. Have you ever had one single important resolution for a new year? I’m not sure I ever have before. Whatever your resolutions may be, I wish you a happy and successful New Year!

Cheers, Sandra Hutchison